Canvas to Code: How Forensic Data Revealed the Original Brilliance of Monet

Discover how Arius facilitated a pioneering digital restoration project, uncovering hidden degradation on Monet’s masterpiece, before digitally restoring the original brilliance of this Impressionist piece.

The Collaboration

A Digital Blueprint for Next Generation Conservation

The National Gallery of Canada houses some of the world’s most precious Impressionist works, including Claude Monet’s Jean-Pierre Hoschedé and Michel Monet on the Banks of the Epte. While this masterpiece is over a century old, it carries the physical history of its journey, including natural degradation, structural interventions, and surface contamination.

In a landmark collaboration with Stephen Gritt, Director of Conservation and Technical Research, Arius used our pioneering mapping technology to create a sub-millimetre digital twin of the painting. This provides conservation teams with a blueprint, allowing them to monitor the brushstrokes, pigments, and materials with unprecedented detail, measuring features to 1/10th the size of a human hair. All without ever touching the original canvas.

The Journey Beneath the Surface: Non-Invasive Restoration

During the scanning process, our team identified unusual results in both the colour and geometry of the painting that did not fit with local pigments. Working alongside the Gallery's restorers, we determined these were tiny spots of oxidation and unintentional build-up from past structural interventions.

To explore the painting’s original intent, Arius produced two distinct physical outcomes:

  • The Unaltered Replication: A high-fidelity textured print capturing the painting "as is," serving as a forensic "timestamp" of its current state.
  • The Digitally Restored Prototype: A "restored" version where our art production team digitally "erased" the signs of aging and dirt.

By displaying these versions side-by-side, we provided a fascinating insight into what the painting looked like before a century of environmental wear, allowing for restoration to be explored in textured print format, without any changes to the original artwork.

The Technology

Arius combines forensic-grade ADMF™ data with artistic intuition to preserve history.

ADMF™ Scanning & Digital Back-ups
Our Art Digital Master File (ADMF) captures billions of data points, creating a “digital twin” of a painting. This creates a permanent, immutable record of authenticity and condition and acts as a digital insurance policy, recording the exact state of a painting for forensic condition reporting and long-term security.
Condition Reporting & Preservation
Every ADMF record contributes to a secure virtual seedbank, providing a digital timestamp of artwork condition. Sub-millimetre 3D maps exist as ‘digital twins’ to guide future generations, from measuring change and degradation, to ensuring artworks can be accurately restored after damage.
Universal Access & Visualization
We translate complex 3D data into high-fidelity digital twins and blueprints, enabling conservation teams and art historians to share forensic insights and collaborate on preservation strategies around the world. Physical prints also enable museums to reach global audiences, who can experience art through touch and high-detail visualization. 
Museum-Grade Textured Editions
Combining ADMF data with our cutting-edge printing technology, Arius replicated the brushstrokes of world-renowned artists with incredible physical accuracy. Every textured reproduction sold generates royalties for the Gallery, supporting their future education and outreach programs.
The Partner

National Gallery of Canada / Musée des beaux-arts du Canada

Located in a stunning glass and granite building in Ottawa, the National Gallery of Canada is one of the oldest and most prestigious art institutions in North America. It houses a vast collection of Canadian, Indigenous, and European art, and is a global leader in technical research and the preservation of fine art.

“We’ve had forms of digital restoration, and we’ve had forms where we can, in some sense, turn back time and actually begin to compensate for some of the natural degradation processes and minute losses that occur to a lot of paintings. And, that’s an interesting area to explore.”

“In this particular instance, there were some discolorations in some of the lighter areas of the paint. Along with some bits of dirt and rubbish that the painting had picked up from some structural interventions in the past.”

“We [changed] some of those degradations and problems in the digital file. So that when we printed the elevated print, you were getting a view of the painting as it could have looked if those things hadn’t happened.”
Stephen Gritt
Director, Conservation and Technical Research
National Gallery of Canada
Experience the Art

Bring the National Gallery Into Your Home

While the original masterpieces remain in the care of the National Gallery of Canada, our Museum-Grade Textured Editions allow you to experience these works in your own private space. Through our exclusive partnership, we have produced a curated collection of officially licensed reproductions that capture every nuance of the artist’s hand.

Shop the NGC Collection

Interested in Digital Restoration or Condition Reporting?

Discover how our non-invasive scanning technology provides invaluable data for conservation and historical research.